Archive for August 17th, 2007

J.R.D. TATA

Friday, 17th August, 2007

J.R.D. TATA 
 

The life of JRD (1904-93) spanned almost the whole of the twentieth century. He was born in Paris and he died in Geneva. In between, he spent over seventy years of his working life in India. 

During that period, he brought to India the gift of civil aviation in 1932 and later, in 1948, helped the country spread her wings abroad by launching Air-India International. Thirty years later, when he was removed as Chairman of Air-India, the Daily Telegraph of London, among others, credited him with making Air India one of the world’s most successful airlines. Had he achieved nothing else his place in India’s hall of fame would still have been securer, but he did far more.

J.R.D. TATA

For fifty-two years he was Chairman of the largest industrial group in IndiaTata-which produced everything from steel and electric power to chemicals and automobiles. Apart from Air-India (which was nationalized), Tata Chemicals and TELCO, both started under his Chairmanship, became two of India’s top ten companies in both sales and assets. 

On the social scene, he was the first national voice to call for family planning. Prime Minister Jawaharlal Nehru agreed with him and said that the country’s strength was its people. Undeterred, for forty years he pursued a campaign to promote family planning, especially through the agency he founded-the Family Planning Association of India.  

Belated recognition came to him for this effort: the last of the many international awards he received was the UN Population Award. Two national institutions-the Tata Institute Of Fundamental Research and the National Centre for the Performing Arts (NCPA)-were started because of his support and vision. A third, the National Institute of Advanced Studies, was inaugurated by him two years before he died. 

For thirty years, JRD raised his voice against the misguided policies of a controlled economy that stunted the country’s industrial growth and destroyed his own dreams for India’s industrial future.

His joy lay not only in what he personally achieved, but also in the achievement of the other individuals whom he had groomed and who worked for him. When he stepped down after fifty-two years as Chairman of Tata Sons, the press noted that he was the only eminent industrialist in the country who had nurtured, within his own organization, people who had grown into corporate giants in their own right. 

JRD’s joy of achievement extended beyond the ambit of business to the institutions he helped create. Significant among them was the Tata Institute of Fundamental Research (TIFR), where he stood beside Dr Homi Bhabha as Bhabha shaped the cradle of India’s atomic energy programme.

JRD was also the first leading industrialist to recognize the responsibilities of business towards rural uplift. 

To put JRD’s ideas into action, the Articles of Association of leading Tata Companies were amended and social obligations beyond the welfare of their own employees were accepted as part of the objectives of the companies in question. 

Clearly JRD was interested in other people rather than in his own self. For those he didn’t know, he had a smile. 

His mother tongue was French; he loved the language and was good at it. 

When he settled in India in his early twenties, he decided that he would master the English language, and this he did. And he never relaxed in this endeavour. Until the very end, he took endless trouble to select the exact words he needed to express his thoughts. When he took to flying, he read almost all the books he could get hold of on aviation in the 1920s. When he began to play golf, he read books on golf. 

He recalls that at Independence, when he was forty-three, he was much enthused. ‘I had tremendous dreams and expectations of cooperation between the private sector and the Government.’ But his dreams did not come true, except with Air-India International in 1948. 

J.R.D. Tata was a product of two continents. His father, R.D. (Ratanji Dadabhoy) Tata, was a cousin and colleague of Jamsetji Tata, the man who brought the industrial revolution to India, giving it steel, hydroelectric power and high-level technological education. His mother, who he was devoted to, was French. 

Born in Paris in 1904, JRD schooled in Paris, Bombay and Yokohama. Till the end of his life the fact that he was not sent to Cambridge (where a seat was reserved for him) and recalled by his father to India rattled JRD. He said it gave him ‘an inferiority complex’.

The father must have had a premonition for he died nine months later and JRD stepped in as Director of Tata Sons at the age of twenty-two. 

J.R.D. TATA

JRD was to have a few other adventures. In the early 1930s, Tata Airlines was launched as a division of Tata Sons.

JRD sought satisfaction in many other ways. All his life he was keen on physical fitness and he took the trouble to exercise until 1987. He played tennis and especially golf till his mid-seventies.  

Among other concerns, he felt deeply about the condition of women in India and a couple of years before he died he established a Trust of his own called the J.R.D. and Thelma J. Tata Trust to ameliorate the condition of women, Rewards, decorations and other forms of recognition were not something he craved for, yet his work in every field he involved himself in was so exemplary that the honours poured in.

He was the recipient of the Daniel Guggenheim Award and some of the highest awards in aviation. The Bharat Ratna, his country’s highest civilian decoration, was bestowed upon him in 1992.


The Bharat Ratna

When the BBC announced his death in Geneva on 29 November 1993, it called JRD ‘the legendary Indian industrialist’, Yet, for all his worldly power and glory, to those who knew him he was a warm-hearted, caring human being, ‘I want to be remembered,’ he had said, ‘as an honest man who did his duty.’

INDIAN FILMS: THE HIT AND MISS

Friday, 17th August, 2007

INDIAN FILMS: THE HIT AND MISS

Although ‘hit film’ and ’successful film’ are terms that are used very lightly in the film industry, there is a marked difference between the two.

A hit film is one in which a distributor doubles his investment. If a distributor acquires a film for Rs 1 crore (including print and publicity cost), and it does a business of Rs 2 crore, it is termed a hit. However, if the film does not reach the Rs 2 crore mark, it is termed a successful film but NOT a hit.

For instance, if the film in question does a business of Rs 1.25 crore, it will be termed a commission earner (20 per cent of Rs 1.25 crore or, in other words, Rs 25 lakh is the commission). If the film does a business of more than Rs 1.25 crore but less than Rs 2 crore, it is termed an overflow film. In other words, a commission earner or an overflow film is termed a successful film.

HOUSE FULL:

In filmi (film related) parlance ‘opening’ is a term used to describe the first show and, to an extent, the first day’s collections. In the good old days, a fantastic opening denoted house-full shows everywhere. But full houses are a thing of the past now. With the number of cinemas in which a film is released increasing manifold and with multiplexes not restricting the shows of a new release to three or four a day, there is easy availability of tickets for every new film, even on the Friday of its release.

So a fantastic opening today may not necessarily mean full houses. What it does mean is “lots of money on the opening day because of the total attendance in all the shows put together at all the cinemas”. And so if you hear that a particular film has opened to bumper houses, don’t assume that tickets aren’t available at a cinema close to your house.

Tickets may be available openly in current booking and yet, it may be construed as an extraordinary opening or initial.

Now let’s have a look on the value of some of film stars.

AKSHAY KUMAR: Akshay Kumar can take solace in the fact that he was part of Namastey London but two things must’ve come in the way of his celebrations:

Firstly, Namastey London just about managed to scrape through and was not a patch on his line of recent hits including Phir Hera Pheri, Garam Masala and Waqt - The Race Against Time; and secondly; the real hero of the film was Katrina, not Akshay. But, this did not come in the way of Akshay demanding Rs 6 crore as his fee!

SALMAN KHAN: Salman Khan’s Partner had better partner success; otherwise his fans will feel let down. David Dhawan’s comic caper, a remake of the Hollywood hit, Hitch that stars the sexy Khan with Govinda, is due for release on July 20 and is carrying excellent under-production reports. Salaam-E-Ishq, Salman’s only release during the year so far, was hardly a film he could boast of, even if one were to overlook its box office performance.

SAIF ALI KHAN’s box-office standing didn’t take much of a drubbing only because his Ta Ra Rum· Pum managed to appeal to the audience in Bombay. He’d got more appreciation in Hum Tum and Salaam Namaste.

JOHN ABRAHAM and Bipasha Basu, of course, made more news for their off-screen, now-on-now-off romance than their onscreen histrionics. Even Deepa Mehta’s Water couldn’t do anything for John’s Hollywood career which refused to take off.

JOHN ABRAHAM and Bipasha Basu

PREITY ZINTA was suddenly out of work. Yes, that’s the way it is for heroines. The bubbly Ms Zinta almost found her wings clipped - despite dating airline boss Ness Wadia. Her’ only release in 2007 so far is Jhoom Barabar Jhoom which, of course, didn’t add up to much. She’s had better luck in the past than she’s had this year. AISHWARYA RAI: followed up the super-success of Dhoom 2.1ate last year with Guru early this year. She didn’t have any release thereafter.

EMRAAN HASHMI‘S career may not be under threat of derailment but the debacle of The Train did not augur well for the kiss-happy actor who had no success to his credit but two misses (the other being Bhatt brothers’ Awarapan), besides, of course, lots of screen kisses. For TABU, the six-month period was quite eventful. After more than a year-long hiatus, she resurfaced in the very stale Sarhad Paar, followed by Mira Nair’s successful: The Namesake and the love story with a difference Cheeni Kum. Now, she may take an year off.

SANJAY DUTT: had the TADA court’s sword hanging on his head and, therefore, the industry was more bothered about the court verdict than the box office verdict of his starrers like Eklavya, Sarhad Paar and Shootout at Lokhandwala. AKSHAYE KHANNA and ANIL KAPOOR, who’ve become best pals after the former began working in the latter’s production venture, Gandhi My Father, suffered the same fate at the turnstiles because they had just one release - Salaam-E-Ishq! SHAHID KAPOOR could not follow up the success of Vivah with anything worthwhile. His only release in 2007 so far was Fool N Final.

For VIVEK, Fool N Final was bad news while Shootout At Lokhandwala at least salvaged his reputation. SUNNY DEOL, yet another hero of Fool N Final, tasted some success at the fag end of the six-month period when Apne hit the screens. . For BOBBY DEOL also, Apne was the only consolation after Jhoom Barabar Jhoom.