CAN WE CHANGE OUR LOOKS? Yes, with nose jobs, breast implants and hair transplants too. With the introduction of the concept of reality television in India eight years ago, with shows like Hospital, Commando and more recently Indian Idol and Fame Gurukul, we could never have ever imagined that the trend would catch on in as big a way as it has. I recaIl one senior programming person, who is today an iconic figure in the media world, telling that reality would never work in India, as Indians had too much reality in their lives. Today, the biggest and most talked about shows across mainstream channels tend to be based on reality entertainment formats. And they’re starting to give soap operas a run for their money. One of the most challenging projects in the reality space we’re now developing is a show based on the international format of Extreme Makeover. In this show, top surgeons and hospitals from across the country come together to help bring people who’ve been pushed to the fringes by serious physical problems, back into the mainstream. The “makeover” is one of the classic tools we’ve used effectively on most of the reality-entertainment formats we’ve worked on in the past. In the context of present-day reality television, this is the process that transforms the popular, small-town boy or girl with a great voice into a youth icon. It’s not difficult to execute-new styling, a designer wardrobe, and new attitude. But already, the simple “superficial” makeover is passé. Increasingly, young men and women are opting to go under the scalpel to change the way they look. Plastic surgery, which till recently was the exclusive domain of the big stars, corporate czars and the ultra-rich, is now well within the reach of the average middle class Indian. It’s fast becoming the mother of all cures for chronic insecurity. An insecurity that’s being fuelled to a large extent by media. Glam magazines and celebrity television, with their excessive dependence on actors, socialites, mode and designers, have succeeded in creating an alternative world that millions young people now aspire to belong to. It’s a world that not only assumes you are rich, it’s also a world where what you wear isn’t as important as where or who you bought it from. A world where a well-dressed, under-nourished, under weight, 20-year-old female undergraduate is more likely to be successful, than a [...]
Archive for October, 2007
IDIOT BOX- HALL OF FAME
October 31st, 2007
Deepak IDIOT BOX- HALL OF FAME Switch on the TV & explore your chances to be famous. Each time I sit in front of the idiot box for my daily dose of entertainment, I find myself lost, baffled and wondering. Nope, I have not started watching the K soaps. Instead, I find myself caught in the web of channels creating or rather churning out celebrities each month, each week and sometimes even each episode. Right from my help at home, my colleague and the aunt in neighbourhood to her five-year-old kid, all are busy signing autographs and talking endlessly about their feat. And here I am, munching on popcorns and flipping channels, figuring out their claim to fame. Is it because they were obese; had high BP and cholesterol levels? Or because they didn’t even know that “re” came before “sa” in the Sargam? Or nobody having briefed them on how to behave when in public? Or simply as they had enough money, time-and patience to SMS? A few weeks back, we saw the grand finale of Biggest Loser Jeetaga. A rigorous exercise regime for 16 weeks on national television was required to teach the lesson of fitness to a bunch of obese adults. Today, the participants are fitter, richer and popular. At the same time, they have proved that they were ignorant of the health hazards till Suneil Shetty informed them. Also, they think shedding kilos on national TV is glam. Well, the winner who weighed close to 124.9 kg has lost 50.7 kg and gained Rs 50.7Iakh, after fighting against calories and competition. Well, but we can’t really blame this handful for their greed for fame (or fitness). For, a few months back, we saw long forgotten actors and models on Bigg Boss, acting, crying, sweeping, cleaning, dancing, fighting, massaging et al, all for their share of fame, that they had failed to achieve in years (or decades). Now, these guys became (in) famous and made money too. But then, they would have perhaps gained more respect, had they stayed hidden wherever they were, than making fools’ out of themselves in the Bigg Boss mansion. Back to the ordinary man’s need for fame. Now, if there is practically nothing you are good at, worry not. Say if you have no clue of sur and Taal and you sing only to please your senses (which too, don’t really understand music), [...]
Silence is NOT golden here
October 31st, 2007
Tejinder Violence is very subtle most times; and its massive manifestation, dreaded. Even in this day when she is leading many packs of men a work, calling equal shots at home and generally enjoying liberation, there could still be some violence that leaves her a victim, a silent victim. Well, she has been taught not to speak, she better not, and doesn’t. It’ll bring her shame. Men know, we can brush past way too close to pass off as ‘accidental’, smack her in the rear, tear her, maul her, she won’t say a word. If she speaks, she’s blamed for having fanned the fire (or the desire?), leaving her victimized the second time. In any case, does anybody care how she’s affected? But doesn’t beyond violence and silence, lie a woman’s self-respect? A very vulnerable space of her. But why won’t she talk? Why does she choose suffering over an outpouring of humiliation – on the streets, at work, at home? Sometimes we speak up, most times, we just ignore. That’s how we’ve been brought up. We have been taught to not to speak against sexual violence, for that’ll be our insult. Rather than seeing us as victims, we are told to just shut up. Incidents of sexual harassment of unmarried women mostly go unreported, often under society’s pressures. At work, if the boss tries to take advantage of you, you can’t prove it. After marriage, if the wife is not willing for a physical relationship but is forced, it is in any case sexual harassment. There was this woman victim who spoke up after years of abuse. Her husband would come home drunk and force her into a sexual intercourse. To avoid him, she began sleeping with her three daughters. But the man came down to tearing her clothes in front of his daughters. Helpless, the woman would go to the other room with him. A few women are coming forward for filing complaints. But then there are some who come, but don’t want to pursue the matter. They fear that people will say she was ‘inviting’. “Women working as domestic help at homes often become easy target. A big landlord recently raped his domestic help and to shut her up, gave her a pair of bangles, only to later accuse her of theft. We are fighting the case. But it doesn’t stop at that. We have to fight the [...]
EARLY BIRDS
October 30th, 2007
Deepak EARLY BIRDS: ….will catch only worms! Gen next thrives on’ all things fast – food & SUVs, rave parties, bold relationships, multiple dating, and virtual connectivity. What drives these youngsters? Career, big money, snappy fame and well, loads of pleasure! In this race for identity & yes, easy access to any information and any kind of connecting at a mouse click, innocence of the naive years is getting increasingly sacrificed. Ah well, the credit and debit of it – we get discussing. Funds, fun, full-throttle! A BA-II student is all set to shift to Mumbai after her graduation, for greener pastures: "I have to make big, quick bucks as soon as out of college. This city is too small for my dreams. I am planning to take admission in Subhash Ghai’s Whistling Woods Acting School & get started". Her take on ‘compromising’ on principals: "life is a series of compromises that we make to get further than others. To achieve something really big one needs to give in whatever life asks for & I am prepared for all eventualities provided I get my rewards" Similarly, an LLB-I student quips, "our generation has easy access to almost everything right from cars, mobiles, TV, Internet to relationships & that sees many of us ‘exploring’ rather early. After experiencing it all, what is left to be achieved is money & comfort". Analyzing the generation, Meenakshi Tanwar, a practising psychologist says, "Today, the youngsters experience almost everything right from sex, alcohol to parties early in life; earlier these were considered as adult pleasures. So that quenches their inquisitive nature and that is when they start focusing on their careers & money plays an important role in helping them make their decision. So strong is their will to be independent & fund their lifestyle themselves that they are ready to go to any length to achieve their goals and that comes easy to them because after one has experienced everything one is numbed to the experiences & that’s when the “so what” mentality crops up. They seem to know themselves and are rather independent. Says a 1st year student: "Our generation is practical & knows where to compromise & where not to. Talk about the technicalities of making money or career choices & we are all game. Relationships matter to us but I guess the need to live a plush life, being independent & living [...]
Tiding over Brain Drain
October 30th, 2007
Sachin Brain Drain – when the trained, talented individuals go and work in countries that partake of their knowledge. Many young individuals mainly from sectors like information technology, biotechnology & bio-informatics move out of India with a view to earn a sound income. Young brains migrate with a thought to pursue higher education. Do you think they will return to India after completing their courses? Not exactly… More than 90% will continue working there. The question arises – who finally pays for the loss to the country? India is not behind any country as the youth here are conscious enough about their future. Youngsters are insanely career-oriented, willing to work hard for long hours and serve their country with their best. We have with us many successful and hard-working candidates in almost every field. For over 30 years, some of our brightest youngsters have migrated to developed countries like the UK, Australia, Canada etc. Many foreign companies have also homed in on some developed cities in India, again a source of development only for these foreign countries. The main cause of Brain Drain can be traced to personal aims – of youngsters to earn money and fame. It’s quite obvious that a company offering us a handsome salary will be preferred. Another problem can be the ‘Problem of Governance’. This is an extremely a sad state of affairs that even at senior levels, low wages ate being paid. An economic advisor with the Finance Ministry is not getting more than Rs 20,000 pm, or so we are told. In addition to this, lack of opportunity, several conflicts on discrimination or corruption lead to the rise of brain drain in India. . Some ambitious youngsters after pursuing higher education from abroad return to India and work for their country. With the cooperation of the government and people, one can establish an enterprise. This can be possible for the one with high skills and knowledge. Entrepreneurship is the best way to develop and achieve success. So, the government should give opportunities to the highly-skilled, extremely intelligent and experienced workers to progress in their own country. Much higher skills are essential in order to build firms and markets that can complete the dream of global economy. The need of the hour is to set a goal to achieve 100% literacy rate as soon as possible. A fresh PhD has a global market and it [...]
DHOLAK: A tradition in danger
October 30th, 2007
Deepak DHOLAK: A tradition in danger Before we set out for the Dholki colony at Mauli Jagran in Chandigarh, my companion had warned me as to what to expect. As we approached the colony, narrow winding roads, littered with garbage and populated by malnourished, semi naked children, greeted us. Still, as we took our seats in a small meeting room in the local madarsa and got surrounded by about 30 persons pouring their woes all at once, it came as quite an assault on the senses. More so, because we had never moved out of the municipal area of the City Beautiful. The men folk here make dholaks of all sizes and shapes and ferry them around to sell them for peanuts. Peanuts, because there are hardly any takers for this traditional folk instrument, which has been losing its appeal to the younger-generation musicians. So they take their products to far-off places like Kulu, Manali or wherever some fair is on. They consider themselves lucky if they are able to sell four or five pieces. Take, for example, Ayaad Ali’s household. With six children and a wife to support, he devotes all his time to his profession. He has the dedication and the knowledge. But what he lacks is the marketing skill. "There are not many takers for dholaks these days. So I carry four or five on my shoulder and take them around. Sometimes, one or two stray offers come from the city based musical instrument shops. Mostly, I sell them in other colonies around the city where parents buy for their children," he says. So, how much does he earn? "We manage to make both ends meet, but there is hardly any saving." Looking at his dingy two-room house and his youngest son prancing around naked, one does not have to probe more on his economic status. The same story goes for more than 50 households in the colony. Theirs is an endless battle for survival. "The skill has been handed down from generation to generation and now this is the only profession we know. Even if we think of diversifying into other musical instruments, we neither have the skill nor the resources," says Mushir, who has been making dholaks for as long as he remembers. Things may just change for the better for them as a voluntary organisation called the United Progressive Muslim Front has decided to take [...]
RAHUL DRAVID: batsman not a captain
October 29th, 2007
Neha RAHUL DRAVID: batsman not a captain What was most intriguing about Rahul Dravid’s decision to make himself unavailable for the India captaincy was not just the decision itself, but the timing of it. It has come on the eve of what is possibly India’s toughest ever season of cricket – up ahead are series against Australia, Pakistan and South Africa. It can’t get tougher than this. Then again, it has come at a time when the Indian team finally seemed to have thrown off the bad memories of the Greg Chappell era and the shadow of the World Cup debacle. The one-day series in England had been lost but was a closely fought, enthralling contest; the Test series had seen a historic victory. Perhaps a combination of these two points resulted in the decision. Who next? The run-up to the announcement of a new captain on September 18 will saw a fresh, frenzied debate. Sources said that if Tendulkar wants the job, he will get it. There is reason to believe that this time, if offered, he will accept. If he doesn’t, given the tough season ahead, India might look to the experience of Ganguly, ahead of a rookie skipper like Dhoni. Dravid had been appointed skipper till the end of the England series and would have – as selection committee Chairman Dilip Vengsarkar said – “definitely continued if he hadn’t made this decision.” Possibly, he wanted to walk away on his own terms. Now that the team has been brought together after being a house divided, and at a time when his invaluable services as a batsman adversely affected by captaincy – would be most needed, Dravid deemed it fit to step down. He apparently told the BCCI brass that he couldn’t keep playing “two roles”, that of batsman and captain, successfully unless he did justice to and enjoyed both. Something he was finding increasingly difficult. . Dravid had discussed this with board president Sharad Pawar once in England and then conveyed it to him formally here on Thursday. The BCCI seems to have decided to accept Dravid’s decision; there is some talk of asking him to reconsider but for the most, there is a belief that it is a “personal choice that we respect.” India’s most prolific batsman of the last decade has cut a rather lonely, tense figure over the past two years, increasingly isolated by his [...]
Carvalho
October 29th, 2007
Deepak Carvalho Architect of India’s Asia Cup win Eight time hockey Olympics champion, India failed to win a medal at the Asian games in Qatar last year. This was for the first time that India, which had produced hockey wizard Dhyan Chand, faced such an ignominy. Earlier, the Indian team came eleventh out of 12 teams in the World cup, sixth at the Commonwealth Games and last in the Champion Trophy at home. Disappointed at Indian team’s performance, the government stuck hockey off its list of sports eligible for extra funding. Then came on the scene the "Messiah for the Indian hockey". Joaquim Carvalho, popularly called "jack" by his friends, was part of the 1984 Los Angeles Olympic squad, considered one of the strongest ever to leave the Indian shores. He was in for a surprise when the Indian Hockey Federation offered him the post of coach of the team. It was not an easy task to put the Indian team on the rail again. A surprised Carvalho, gave lot of thought to the offer, consulted his friends and family members and finally decided to accept the IHF offer but put forward certain conditions. Besides being given a freehand, he wanted to have supporting staff of his choice and a say in selection of team members. The Federation readily accepted his terms. Losing no time, Carvalho opted for two of his closest friends and former Indian team maters, M.M. Somayya and Mervyn Fernandes, as members of his supporting staff with Mohinder Pal Singh, former ace penalty comer hitter, and Parmeshwaran as assistant coaches. Carvalho began his training session of the Indian squad in right earnest. A strict disciplinarian, he would not compromise on anything less than the best for his side. He started paying attention to the minutest detail which other short-term coaches ignored. They included sharpening up play and deep penetration by the forwards, more legwork than better stick work, and sturdiness in midfield and stability in defence. Carvalho turned out to be a self-made coach who believes that players learn more and quicker on the field than through computers and whiteboards. He made his sessions short, precise and to the point. His motto has been "keep it simple and talk to the players in a language they understand". During his playing days, he recalls, how he used to "spend boring hours listening to lectures from my coaches or watching [...]
PREITY ZINTA
October 28th, 2007
Tejinder PREITY ZINTA ………….sure of playing Raja Ravi Varma’s muse. Classic painter Raja Ravi Varma’s muse, Sugunabai, will be portrayed by Preity Zinta in a movie to be directed by the National-Award-winning director Shaji Karun. Just a year ago, Madhuri Dixit had been considered for the role and Ajay Devgan was to play the painter (1848-1906). Devgan had assented but Dixit dilly-dallied. Eventually, she chose to make her comeback, after a five-year hiatus, with Yash Raj banner’s Aaja Nachle. Based in Thiruvananthapuram, Karun has an international reputation as an excellent cinematographer besides having directed Piravi which bagged over 15 awards at international film festivals. Karun’s new films (including one in Hinglish) have been disappointing. For the Ravi Varma bio-pic tentatively titled Suryamukhi, he had been scouting for the cast since the last two years. Sugunabai, a woman of Goan-Maharashtrian lineage, had posed for several mythological figures painted by Varma. Today, all his works are priceless. Zinta has been veering towards offbeat projects lately -like Rituparno Ghosh’s Last Lear and the new project by Jahnu Barua, Har Pal. The long search for the muse finally ends, but the actor who will portray the legendary painter is still to be announced. As it happens, she is much in the art news currently. Talk is that the Delhi-based painter and former Miss India Anjana Kuthiala will do a series of paintings of Preity Zinta in various avatars. Apparently, Preity’s mother, Neelu had met Anjana during the artist’s exhibition in Mumbai recently. Neelu was scanning through her work, when she said, if she could have Preity’s portrait commissioned in a traditional look for their living room. Preity Zinta will do a special photo shoot for Anjana. The portrait for her living-room will be a mix of Maharani Gayatri Devi and Preity’s look from Veer Zaara. The other canvases in the series will be inspired by women of courage like Razia Sultan and Rani of Jhansi.
What’s for desert?—— Nanhe Jaisalmer
October 27th, 2007
Deepak What’s for desert?—— Nanhe Jaisalmer Cast: Bobby Deol, Dwij Yadav Direction: Samir Karnik Really, it’s enough to blow your pressure cooker. His novella is actually awarded the International Booker. Yup, the same literary prize snagged in recent years by Kiran Desai, Arundhati Roy and the patriarch-turned-prose-genius Amitabh Bachchan in Baghbaan. What a yarn! The new winner is Vikram Singh aka Nanhe Jaisalmer; directed and written (oh oh, what about those allegations of snitching by another writer?) by Samir Karnik. Kyun controversy ho gaya naa? Alas, there’s nothing remotely literary or controversial about what you eventually sample in this flash-bukbuk by Vicky Singh. No zing, Vicks just catches hold of a shocked electrician at a hotel’s banquet hall to narrate his memoir. Hmm, it’s about a camel-riding Rajasthan tourist guide kiddo (Dwij Yadav) who looks as if he’d be happier at home playing Ludo. Anyway, the 10-year-old desert boy knows a smattering of French, German, Latin and fenugreek. Snag: he’s uneducated in ka-kha-ga-gha and so goes duh-duh. This despite the militant attempts of his morose mum, didi and a heftier version of Gayatri Devi, to make him attend night school. Incidentally, this masti ki paathshala is populated by an ancient gent who goes haw-haw-haw and dear old Sharat Saxena who keeps drinking from quarter bottles of rum? Life’s glum. But there’s a tinsel lining. Camel boy is Asia’s biggest ceiling fan of Bobby Deol the actor (played by Bobby Deol the actor). Next: you’re subjected to teasers from Abby-Mustan’s Soldier; the kid claps, whistles and generally goes berserk till Bobby D shows up in person. Gratifyingly, the bonhomie between the two is life-affirming. How wonderful- a star and a desert boy actually bond as equals! Sweet. If only Karnik’s writing had developed this emotional aspect of an otherwise gaga screenplay. Alas, there’s something much too gratuitous about the kid giving up his gutka chewing habit, beating up a junior Gulshan Groverish bully, exhuming his fear of mice (how nice?), becoming an exemplary scholar and heavens, growing up to become a purely wooden Vatsal Seth (from the forgotten Tarzan : The Blunder Car or something). Oof. And for the last straw, there’s that cracko-wacko Booker acceptance speech. Please! Like it or not, the boy is even turned into a stereotyped angry child-man, what with the Deewar like humiliating tattoo emblazoned on his hand. Surely, Karnik could have stressed upon the innocence and [...]
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