
Six visionary directors, ten spectacular stories, twenty-five actors and one feature film - Sanjay Gupta’s Dus Kahaniyan promises a cinematic feast for movie buffs. The movie includes ten short films by directors such as Sanjay Gupta, Apoorva Lakhia, Hansal Mehta, Jasmeet Dhodi, Meghna Gulzar and Rohit Roy.
STORY#1: RISE ‘n’ FALL
Starring: Sanjay Dutt & Suniel Shetty
Director: Sanjay Gupta
Through an internal conflict between an underworld don and his best friend, we witness a stylish game of friendship and betrayal in the Rise and Fall. Dus Kahaniyaan’s Rise and Fall is a story of two friends united as brothers and divided by power.
STORY#2: SEX ON THE BEACH
Starring: Dino Morea and Tarina Patel.
Director: Apoorva Lakhia.
Dino picks up a worn-out book on the beach and its character comes alive into a breathtaking woman. They have a great time. But then everything changes. Does this mystery woman have some surprises for Dino?
STORY#3: MATRIMONY
Starring: Arbaaz Khan, Mandira Bedi and Sudhanshu Pandey.
Director: Sanjay Gupta
Meet Mr. and Mrs. Sarin. They are a happily married couple. The devoted wife goes every Thursday to visit her ailing Aunt, or does she really? Is everything good in paradise? Is someone betraying someone?
STORY#4: LOVEDALE
Starring: Aftab Shivdasani, Neha Uberoi and Anupam Kher
Director: Jasmeet Dhodi
When Anuya met an old woman wearing a single earring in a train, little did she know that this chance meeting was about to change her life. ‘Lovedale’ is about fate, destiny and about one moment that changes a life forever.
STORY#5: GUBBARE
Starring: Nana Patekar, Rohit Roy and Anita Hassanandani.
Director: Sanjay Gupta.
After an argument with her husband in a bus, Anita sits next to an intriguing man holding 14 red balloons. Then unfolds a journey within a journey into this man’s past, unraveling the key to one of the most important lessons in life. What is the mystery behind these balloons?
STORY#6: RICE PLATE
Starring: Naseeruddin Shah and Shabana Azmi.
Director: Rohit Roy
When a hungry devout Hindu woman’s only meal is claimed by a Muslim man, what will she do? Will she snatch or share it? Will she defy her beliefs? Rice Plate promises an irresistible treat about the moments that bring us together
STORY#7: HIGH ON THE HIGHWAY
Starring: Jimmy Shergill, Mausmeh Makhija
Director: Hansal Mehta
The highway symbolises their companionship: Their unspoken love. But the highway’s unpredictable and volatile turns would radically change their lives. Does freedom has its boundaries? Does the recklessness of life have an end?
STORY#8: ZAHIR
Starring: Manoj Bajpai and Dia Mirza
Director: Sanjay Gupta
A writer is driven to madness after he makes a startling discovery about the woman he loves. Is everything always as it seems? Does mystery lie underneath the surface of life?
STORY#9: POORANMASHI
Starring: Amrita Singh, Minissha Lamba and Parmeet Sethi
Director: Meghna Gulzar
A doting mother’s only daughter is about to get married. She would do anything to make her happy. But an impulsive act of hers is about to lead their lives into drastic consequences.
STORY#10: STRANGERS IN THE NIGHT
Starring: Neha Dhupia, Mahesh Manjrekar
Director: Sanjay Gupta
Every anniversary, they told each other a secret of theirs. This year, it is the wife’s turn. She begins narrating an interesting encounter with a stranger at the railway station waiting room. But then, are all secrets meant to be shared?

It is said too many cooks spoil the broth. In multi-story movies, however, one cook (read director) is not enough at times. Nikhil Advani made a hash of single-handedly narrating six love stories in Salaam-e-Ishq, one of the year’s biggest failures. On the other hand, Darna Zaroori Hai (2006) saw the collaboration of seven filmmakers, including Ram Gopal Varma, yet it failed to repeat the success of Darna Mana Hai, which had only one (Prawal Raman).
Being part of such a film is a big challenge for directors in more ways than one. They have to contribute with their distinct style of storytelling while exploring the common theme. Fifteen or 20 minutes of screen time is all they get to make an impact. Also, they need to be at their best because their performance is inevitably compared with that of the others.
“Unity in diversity” is the key factor. The various parts should not only be engrossing individually but also add up to an impressive whole. Dus Kahaniyan is unique in the sense that half of the stories have been handled by Sanjay Gupta, who is also the producer. One each is directed by Meghna Gulzar, Jasmeet Dhodi, Hansal Mehta, Apoorva Lakhia and Rohit Roy. These are all stories of common people, their secrets and lies, their hopes and fears, the twists and turns in their lives. It’s easy for the viewers to sympathize or empathize with most of the characters. However, the quality of the stories and the direction are rather uneven.
Multi-director films are a new territory for Bollywood, and it remains to be seen if Dus Kahaniyan can set a trend. Such movies have also been a rarity in world cinema. Four Somerset Maugham stories were compiled in Quartet (UK, 1948), with the men behind the camera being Ralph Smart, Harold French, Arthur Crabtree and Ken Annakin. It was a star- studded cast of directors in O. Henry’s FULL HOUSE (USA, 1952)- Henry Hathaway, Howard Hawks, Henry King, Henry Koster and Jean Negulesco. However, the first film was much more successful than the second, signifying the triumph of team work over individual brilliance.
Six French New Wave directors- Eric Rohmer, Claude Chabrol, Jean-LucGodard, Jean-Daniel Pollet, Jean Douchet and Jean Rouch- came together for Paris Vu Par (1965), which had six contemporary stories set in the “City of Lights”. RoGoPaG (1962) was a joint effort between Frenchman Godard and Italians Roberto Rossellini, Ugo Gregoretti and Pier Paolo Pasolini (incidentally, the film’s title was formed by taking the first one or two letters of the directors’ names). Both productions were interesting but not outstanding. The three heavyweights involved in New York Stories (1989) were Martin Scorsese, Woody Allen and Francis Ford Coppola. Allen’s amusing story Oedipus Wrecks was the pick of the lot, while Scorsese’s Life Lessons and Coppola’s Life Without Zoë were just above average.
Easily the most significant and ambitious of these multi-director films is 11 ‘09″01 September 11 (2002), for which 11 internationally acclaimed filmmakers joined hands - Mira Nair (India), Samira Makhmalbaf (Iran), Shohei Imamura (Japan), Amos Gitai (Israel), Ken Loach (Britain), Claude Lelouch (France), Danis Tanovic (Bosnia-Herzegovina), Idrissa Ouedraogo (Burkina Faso), Youssef Chahine (Egypt), Sean Penn (USA) and Alejandro Gonzalez Inarritu (Mexico).
Each short film shows in its own way how the 9/11 attacks changed the lives of people worldwide. Nair tells the story of a missing Muslim youth who’s initially branded as a terrorist but later turns out to be a martyr who died while saving several lives. In Makhmalbaf’s film, an Afghan teacher tries in vain to make a class of children understand “what happened there”, even as their parents build clay-brick shelters to protect themselves from American air raids. Ouedraogo’s bittersweet tale revolves around a youngster who believes he has seen the much-wanted Osama bin Laden in his village and dreams of winning the whopping reward.
The wide range of perspectives and the variety of filmmaking styles have made 11 ‘09″01 September 11 the perfect movie for a global audience. Taking a cue from this contemporary classic, top Hindi film directors ought to work together on an omnibus of tales about epoch-making events, such as the Partition or the India-Pakistan wars. Another idea can be to adapt the stories of legends like Premchand and Tagore for the big screen, akin to what Gulzar did for TV in the 1990s.